My vision is surrealistic and at the same time minimal. Some people say it is dreamy. I want to create photos that look moody with dark places or minimal landscapes with a large portion of negative space to shelter my feelings.

Interview by Andrew S Gibson

Physicists have a term for this. When there is no physical meaning for the beginning of a physical phenomenon they define the time=zero as an anomaly point. The same for me. One day I just felt I had to buy a dslr camera and started to shoot. Well maybe everything was prepared subconsciously and my profession, my childhood, the need for a way to express my inner world played their roles as catalysts to this mind function.

Interview by Ed Spadoni

I love how long exposure allows me to add a fourth dimension– i.e. time– to a three dimensional object. My photography is a 4D object leaving its footprint, its “trace,” in a 2D layer. When this happens for a 3D object, it is easy for a mind to visualize its 3D morphology. In order to envision a 4D object, however, one needs the power of Fine Art photography.

Interview by Nathan Wirth

Fine Art photography is an alternative way to express a common subject so that each individual artist can reveal secret aspects about it. In order to do this, each artist experiments with light, time, and spatial coordinates– and then through one’s processing, one reveals a subject framed in a transformed world in which its dimensions can be easily described and visualized.

Interview by Nathan Wirth